After the resounding success of Aion and its medieval soul, DCD had released their first compilation which would become their first
US release and focused on their recent works, but as one of their bonus tracks, Bird, hinted very strongly at world music. It was
something they had dabbled a bit into with Serpents Egg, but there was nothing to prepare us to this ethnic music metamorphosis,
unless that Bird track wouldve whispered you the answer to your hear. One of the consequence of the disappearance of such
medieval influences is that the music is much less acoustic, but not really all that electric either, but largely synthesized.
Out of the deep background, a long plaintive voice hesitating between Spanish lament, Arabian prayer and opera style slowly rises
out of synth layers, before tabla drums definitely take over and the chants take on a definitive mid-Eastern slant over a jungle
animals background and oboe. There is almost a new age feel to Yulunga, partly introduced by the jungle noises, but also the slow
monotonous chants and mid-East slant of the music itself, but if all new age music was so eventful, Id probably be a fan. The
following few tracks only go on to confirm the ethnic direction of the album, with the exception of the short Wind That Shares Babies
and Tell Me About The Forest, sounding Celtic and medieval respectively, such as Mr Lovegrove with its tabla and sitar hinting at
India and Ariadne and Saluck hinting at Maghreb music. As the album moves on, youll find more of the same hesitations between
occidental and oriental realms.
Of a lesser interest to medieval prog folk freaks, although developing another of its facet (ethnic folk), this is exactly the kind of
album that got purist of all kinds angry with DCD, and most musicologist would agree that Labyrinth is indeed a good exercise
of batardization of several genres all meddled into one music as to allow uneducated masses to get into them; a bit like those
Nights of The Proms do the same, but called vulgarisation for that cause. In either case, this Labyrinth album is still rather interesting
for most into adventurous music, but demanding progheads will not find their happiness.
US release and focused on their recent works, but as one of their bonus tracks, Bird, hinted very strongly at world music. It was
something they had dabbled a bit into with Serpents Egg, but there was nothing to prepare us to this ethnic music metamorphosis,
unless that Bird track wouldve whispered you the answer to your hear. One of the consequence of the disappearance of such
medieval influences is that the music is much less acoustic, but not really all that electric either, but largely synthesized.
Out of the deep background, a long plaintive voice hesitating between Spanish lament, Arabian prayer and opera style slowly rises
out of synth layers, before tabla drums definitely take over and the chants take on a definitive mid-Eastern slant over a jungle
animals background and oboe. There is almost a new age feel to Yulunga, partly introduced by the jungle noises, but also the slow
monotonous chants and mid-East slant of the music itself, but if all new age music was so eventful, Id probably be a fan. The
following few tracks only go on to confirm the ethnic direction of the album, with the exception of the short Wind That Shares Babies
and Tell Me About The Forest, sounding Celtic and medieval respectively, such as Mr Lovegrove with its tabla and sitar hinting at
India and Ariadne and Saluck hinting at Maghreb music. As the album moves on, youll find more of the same hesitations between
occidental and oriental realms.
Of a lesser interest to medieval prog folk freaks, although developing another of its facet (ethnic folk), this is exactly the kind of
album that got purist of all kinds angry with DCD, and most musicologist would agree that Labyrinth is indeed a good exercise
of batardization of several genres all meddled into one music as to allow uneducated masses to get into them; a bit like those
Nights of The Proms do the same, but called vulgarisation for that cause. In either case, this Labyrinth album is still rather interesting
for most into adventurous music, but demanding progheads will not find their happiness.
